It’s
1985 and Richard Street, Liverpool, is under threat of
the bulldozers. The council are determined to clear some
space for ‘urban renewal’, and it seems nothing
can stand in their way - except Molly Eldon. The battle
is on and Molly - played wonderfully well by Sonia - is
getting the old band, Ronnie Angel and the Devils, back
together to sing hits from the fifties, sixties, seventies
and eighties that keep the audience’s feet tapping
throughout.
With a selection
of great songs, some scintillating dialogue and performances
from a cast that know what turns their audiences on, Good
Golly Miss Molly puts Bob Eaton on a hat-trick of directorial
hits to follow Brick Up the Mersey Tunnels and Lost Soul
brilliantly.
With such a
versatile cast, it’s good to see the major parts
being rotated throughout the company. Andrew Schofield
and Eithne Browne may take a something of a backseat in
this show, but nevertheless deliver two more impeccable
outings, while Davey Edge takes the plaudits, playing
Ronnie with some fine acting, wonderful vocals and slick
timing. Also worthy of mention is Liverpool stalwart Carl
Chase who - while not only being a very fine actor - can
also sing, dance and growl with the best of them.
Using a delightfully
simple yet effective set designed by Billy Meall to the
full, and with more costume changes than could be counted,
Good Golly Miss Molly is a foot-stompingly good night
out and another sure-fire winner from all those involved.
Chris
High
The
Stage - October 9th 2007 |