H, Daz and
Ray are Englishmen abroad and they make pretty shabby
ambassadors for their country. Scouser Ray and Mancunian
H follow the England football team to overseas matches,
exploiting the crime and chaos that break out wherever
the over-excited fans go.
When H encounters
young Daz, a cockney ex-Marine, in custody at a Scandinavian
police station, they strike up an uneasy friendship. Is
H's bragging and camaraderie what it seems or does he
plan to make Daz a pawn in a more dangerous game?
Gregory Burke's
new play, in a co-production presented by the Royal Court
and the Liverpool Everyman and Playhouse directed by Matt
Wilde, has the tense grittiness of a television thriller,
but also has more serious aspirations. In its opening
scene, Daz admires H's stash of counterfeit money and
H points out images of Darwin and Elgar's figures, as
he puts it, vitally important to the national sense of
self, on the banknotes. H invokes Darwin's theory of survival
of the fittest in support of his own viciously mercantile
worldview.
For those young
men, it's cash that counts, not culture. Yet they cannot
escape their identity. H and Ray are defined not just
by their Englishness, but by the cities of their birth.
And in the play's best line H, along with Daz's meat-headed
avowal of a passion for a punch-up, sums up the way in
which an image of English has changed from one of courage
to criminality: "There is a corner of a foreign jail
that is forever England."
Burke does
not entirely succeed in integrating these ideas into the
drama. The debates often feel contrived, and he sometimes
sacrifices action to speechifying. But if the writing
sometimes feels slack, at its tautest it's edge-of-your-seat
stuff.
Lisa Lillywhite's
set transforms effortlessly from holding cell to the smart
hotel room where the final showdown between the three
men takes place complete with a gasp-inducing twist that
recalls Harold Pinter's The Dumb Waiter. Wilde's production
is compellingly acted by Paul Anderson, Jeff Hordley as
H and Andrew Schofield as Ray, and towards its climax
it is gripping - a riveting, nasty glimpse of England's
underbelly.
Sam
Marlowe
The
Times - 13th October 2005
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