To adapt a
phrase beloved of football pundits, Gregory Burke's On
Tour is a play of two halves. At kick-off, the signs are
not good - as "Land of Hope and Glory" booms
out, we meet the unsavoury H and Daz, cooped up in a foreign
police cell as the chaos of an England game rages outside.
Both men protest
their innocence ("You know what it's like. A football
match, someone drops their pint glass, they arrest every
Anglo-Saxon in a 10-mile radius") and set to work
on proving their macho credentials. H, the Mancunian wide-boy,
struts around the cell like a manic Ian Brown, saying
he has an opportunistic finger in every kind of dodgy
pie and expounding his theories to the younger Daz, a
cockney ex-Marine and seemingly a simpler creature, a
"meathead" who loves fighting. As the two bond
in a blizzard of cocaine, H reveals his plan to rip off
an old associate, roping Daz in as his muscle.
Paul Anderson
and Jeff Hordley as Daz and H are energetic, and there
are great conversational moments (including a debate on
Lacoste vs Prada), but the exposition is a little slow.
After a high-octane scene change (Lisa Lillywhite's ingenious
set deserves a mention), Ray (Andrew Schofield) enters
- a diminutive, soft-spoken Liverpudlian who changes the
dynamic and injects some dry wit into proceedings.
The banter
is top flight, all three wearing their regional accents
like football strips without slipping into cliché.
But in the final half-hour, Burke flexes the credentials
that saw him win the Critics' Circle most promising playwright
and several best new play awards in 2002. H and Ray see
their petty crimes spiral into danger and power changes
hands quicker than the wraps of cocaine, leaving us unaware
who's in control until the last minutes.
Burke deals
deftly with the lack of certainties in a world where money
means everything and a handshake counts for little. With
its power shifts, threats of violence and spare staging,
On Tour is a profane version of Pinter's The Dumb Waiter
for the football generation, confirming Burke as one to
watch for the future.
Alice
Jones
The
Independent - 21st October 2005
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